Hans von Aachenwas a German mannerist painter. His name is derived from the birth place of his father, Aachen in Germany. Other variations of the name include Johann von - and - von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc. Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own mannerist technique, by studying Tintoretto and Michelangelo's followers. However, during all of his life he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius who dominated the art scene in Germany at the time. He returned to Germany in 1588 where he became well known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I. Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler. | |||
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rape of Proserpine ID de tableau:: 70658 Voir la galerie dans Suède |
rape of Proserpine Date 1587(1587) Medium Oil on canvas Dimensions Expression error: Missing operand for *109 ?? 150 cm Date_1587(1587) _ Medium_Oil_on_canvas _ Dimensions_Expression_error:_Missing_operand_for_*109_??_150_cm |
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Scherzendes Paar mit einem Spiegel ID de tableau:: 70694 Voir la galerie dans Suède |
Scherzendes Paar mit einem Spiegel Dimensions Deutsch: 25 x 20 cm RahmenmaBe: 36 x 30 x 4 cm Dimensions_Deutsch:_25_x_20_cm_RahmenmaBe:_36_x_30_x_4_cm |
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Le jugement de Paris. ID de tableau:: 71399 Voir la galerie dans Suède |
Le jugement de Paris. 1588(1588) Oil on canvas 87.5 x 133 cm (34.45 x 52.36 in) 1588(1588) _ Oil_on_canvas _ 87.5_x_133_cm_(34.45_x_52.36_in) |
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Bacchus, Ceres and Amor. ID de tableau:: 71694 Voir la galerie dans Suède |
Bacchus, Ceres and Amor. ca. 1600(1600) Oil on canvas 163 x 113 cm (64.17 x 44.49 in) ca._1600(1600) _ Oil_on_canvas _ 163_x_113_cm_(64.17_x_44.49_in) |
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The Amazement of the Gods ID de tableau:: 71721 Voir la galerie dans Suède |
The Amazement of the Gods 1590s Medium Oil on copper Dimensions 35.5 x 45.8 cm (13.98 x 18.03 in) 1590s_ Medium_Oil_on_copper _ Dimensions_35.5_x_45.8_cm_(13.98_x_18.03_in) |
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| Hans von Aachen | ||||||||||
| was a German mannerist painter. His name is derived from the birth place of his father, Aachen in Germany. Other variations of the name include Johann von - and - von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc. Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own mannerist technique, by studying Tintoretto and Michelangelo's followers. However, during all of his life he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius who dominated the art scene in Germany at the time. He returned to Germany in 1588 where he became well known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I. Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler. | ||||||||||
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